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Chris Coffman's avatar

The word "nomos" in ancient Greek means both law (and tradition, custom, mores) and musical tune--the Greeks understood that pattern was the underlying structure of the cosmos.

Paradoxically, the Incarnation is--while seemingly messy like all biological life--is perhaps the ultimate expression of the deepest ineluctable pattern of Being.

The Classical Greeks adorned their temples with images of their gods. Holes were drilled into the hands and feet of the statues of the gods, which were then fastened with pegs into place on the proscenium of the temple.

Pontius Pilate presided over the greatest epiphany of all time when he sentenced Yeshua to be nailed by his hands and feet to a cross.

The execution of Yeshua was crafted to maximise his humiliation and agony. Fatefully, his death fused the human form of Greek gods with a thousand years of mysterious Hebrew poetry prophesying the coming of a Holy One, a Son of God, the creator and Lord of the Universe.

The Romans intended to mock Yeshua as he died hanging from a cross in a parody of the way Greek and Roman gods were affixed to temples.

Unwittingly, they chose the very form of execution whose pattern actually proclaimed his death to be a cosmic revelation of the God-man - he is revealed at the precise location where Heaven and Earth meet: on the vertical and horizontal axes of the nexus of space and time.

Christopher Monks's avatar

Interesting article James. I'm just finishing writing what I hope will be a major book in this domain. It arrived at similar ideas to Levin independently but has also identified a major revolution taking place across science, finally piecing it together so we can see what it's pointing at. I too was once an atheist. And although I'm not a Christian I am a theist. I think you'll love my book (which I guess aims more at the Romanticism label)

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